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EVERYDAY TREASURES

The Enduring Allure of Haute Couture

Iconic Outdoor Art

By tracing its roots—from the ateliers of the 1920s to Dior’s revolution and today’s re-imaginings —we see more than fabric and form. We see history, culture, and an ongoing testament to human creativity.

In the hushed halls of La Galerie Dior in Paris, where light glints off archival sketches and embroidered silk, the essence of Haute Couture is tangible. It is a world where artistry triumphs over efficiency, where time slows for the meticulous stitch of a seamstress’ hand. Yet, to understand the enduring allure of Haute Couture today, one must look backward—to the ateliers of 1920s Paris, where painters, set designers, and couturiers collaborated to redefine elegance.

From the Ballets Russes to Dior and Beyond

A Symphony of Art and Fashion in the 1920s

The early 20th century was a time of radical artistic collaboration. The Ballets Russes, under the visionary direction of Sergei Diaghilev, electrified Paris with performances that blurred the boundaries between costume, stage design, and fashion. Léon Bakst’s vivid, jewel-toned sets and Paul Poiret’s draped, orientalist silhouettes shaped an era captivated by theatrical opulence.

The World of Interiors coins Léon Bakst as the master of colourful mayhem. In the UK, see his work among others at Chichester’s picturesque Pallant House Gallery until April 27 in a show titled Pattern: Rhythm and Repetition
Heads up - there is a fantastic exhibition coming up at Museé des Arts Décoratifs from June 25 2025 - January 11 2026 on the couturier who epitomised Art Deco in fashion titled Paul Poiret: Fashion is a Feast

In the same period, Raoul Dufy transformed textile design with his Fauvist-inspired patterns. His fabric work for Paul Poiret embodied movement and modernity, and his later masterpiece, La Fée Électricité remains one of the largest painted compositions of the 20th century, celebrating light and energy through a symphony of color. Dufy’s influence has rippled through decades into the now — Cabana Magazine’s recent covers pay homage to his signature brushstrokes, while Christie’s luckily maintains an extensive catalog of his works, even sold. This archive invites to browse, and his work is a testament to his lasting impact on decorative arts and textile design.

Dagobert Peche, a prolific Austrian designer associated with the Wiener Werkstätte, blurred the lines between fashion, furniture, and architecture, infusing everything from couture accessories to wallpaper with a lavish, intricate aesthetic. Peche is noted to have ushered in a whole new style époque in his day.

His legacy is currently being celebrated with the exhibition Peche Pop at MAK Vienna in a dedicated exhibition. The show also explores his impact on modern design. His work, along with that of Georges Lepape, who was the same age as Peche, Émile-Jacques Ruhlmann, laid the groundwork for a bold, graphic vision of luxury that continues to inspire fashion and interiors alike.

The Rise of Art
Deco Luxury

The designs of Koloman Moser - who was another star of the Wiener Werkstätte during the heydays of ‘Jugendstil’ - has once even inspired an entire lingerie collection.
For a good read on 100 Years Art Deco, Caroline Roux of Artnet gives the low down here.

The Dior Revolution: A Return to the Grand Gesture

Fast-forward to 1947, and the world saw another reinvention of Haute Couture—this time through the hands of Christian Dior. With his New Look, Dior revived the grandeur of past couture, bringing back the nipped-in waist, voluminous skirts, and an unmistakable air of femininity reminiscent of the Belle Époque.

Recently, while walking through La Galerie Dior, surrounded by sketches, toiles, and embroidered marvels, the words of Christian Dior echoed:

Deep in every heart slumbers a dream, and the couturier knows it: every woman is a princess.” Perhaps this is the ultimate allure of Haute Couture—it turns dreams into reality, one stitch at a time.

Dior’s designs carried echoes of Poiret’s romantic silhouettes, of the Ballets Russes’ extravagance, and of the textile artistry pioneered decades before. Haute Couture has always been an interwoven narrative, one designer’s legacy inspiring another’s vision.

An array of online archives of past exhibitions invite to dive deeper into the Dior universe at a time where its brand value is continuously on the rise under the helm of LVMH.

Look back at the ‘Designer of Dreams’ (2019) show in London, the ‘How to Dior’ (2021) exhibition in Berlin, and ‘A New Look’ (2025) in The Hague.

Haute Couture Today: From the Louvre’s Exhibition to the Future

The fascination with Haute Couture is far from nostalgic—it is alive, evolving, and ever relevant. The current exhibition at the Louvre, La Mode en Grand (Fashion at its Finest), places couture in a broader cultural and artistic context. It reminds us that beyond the glittering gowns and painstaking embroidery, couture is an ongoing dialogue between past and present, between craftsmanship and the avant-garde.

As the Louvre aptly comments on its website:

At the hands of today’s couturiers, haute couture continues to inspire. It is the ultimate slow fashion, where every piece carries the weight of centuries of savoir-faire.

‘Louvre Couture’ offers a new perspective on decorative arts through the prism of contemporary fashion design.
© Seven Mills.
When in Paris, don’t miss le19M. It is home to many vital ateliers of Chanel, like the legendary Maison Lesage. Their craft and experience shone when Karl Lagerfeld created this art deco inspired gown in1996 for Chanel.

Currently the le19M immersive workshop show ‘Ornementa’ is happening, a key piece of its exhibition design starkly reminding us of Art Deco. The exciting design of the space was undertaken by Studio GGSV, take a peak behind the scenes here.
PS: